Two amateur thieves are hired to steal an extremely valuable Van Gogh painting from the abandoned farm of an Argentinian countess.

An out-of-work musician (Järrel) is desperate for work and when his best friend (Ekman) sees an add requesting a cellist he signs him up. However, the work is for a female, so he creates the character Märta Letterström and joins the trio at a small-town hotel. But being a woman is not as easy as you think.

As part of a drunken bet with her sister, a happily married woman sends an anonymous Valentine's card to her husband to see if he hides it. When he does, what was a prank leads to a series of events and revelations that puts her marriage at risk, and leaves her looking for revenge.

There is a dead well-dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was hunting rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most of whom don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. Captain Wiles also Secretly sees a young single mother, Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to who Captain Wiles tells the entire story of what he has seen thus far. Over the course of the day, several revelations come to light that question if Captain Wiles actually killed Harry. Sam, Mrs. Rogers, Captain Wiles and Miss Gravely's individual and collective actions in the matter of Harry take into account friendship, self-preservation, the path of least resistance, love and a lot of realizations about what their past actions will mean. Their work may all be for naught if Deputy Sheriff Calvin Wiggs, the closest thing to law enforcement in their town, finds out about Harry.

Mike Dooley has been teamed up with Jerry Lee, a German Shepherd dog, for nearly ten years, but Jerry Lee isn't as young as he once was, and Dooley's superiors suggest that maybe it's time that Jerry Lee was retired from the force. But there is a stalker who wants Dooley dead. The stalker, disgruntled crime novelist Devon Lane, became obsessed with Dooley's wife after she rejected his book, and he blames Dooley for her death. When Jerry Lee can't keep up with chasing Devon during a shootout, Captain Byers teams Dooley and Jerry Lee with a younger K9 team -- aggressive female detective Welles and her dog Zeus, a young, strong Doberman Pincher. After Dooley futilely investigates a convict he once busted, the dogs get him back on track by sniffing out Devon's storage locker. The room reveals Devon's identity to Dooley, and one of Devon's manuscripts reveals that he intends to make Dooley suffer for his words. When Devon makes a bold move by invading the precinct and taking Welles hostage, it's Dooley and Jerry Lee to the rescue. But can Jerry Lee pull off this rescue?

The spring semester is over, but the sisters Inga and Archie have the grades to read over the summer. Sequel to "Swing it, schoolmaster".

Jerry Falk and David Dobel, who meet at a business meeting, become fast friends. Their commonality is that they are both fledgling New York based comedy writers, largely writing material for stand-ups, are Jewish (although David is an atheist), and are each of bundle of different neuroses. Their big difference is that Jerry is twenty-one, while David is sixty, with forty more years worth of life experience, knowledge and neuroses. While Jerry writes full time - he also working on a novel - David has kept his day job as a public school teacher just in case. In their relationship, David becomes somewhat of Jerry's mentor, providing advice on Jerry's life issues, most which revolve around the fact that Jerry is a product of inertia, he having trouble leaving anyone. That's why Jerry's still with the one and only manager he's ever had, Harvey Wexler. Jerry not only being Harvey's only client (which is a testament to his effectiveness in the job), Harvey also has a 25% take as stipulated in their contract, which he wants to extend for another seven years. That's why Jerry is still in therapy with a psychiatrist who has done him no good, and who advised Jerry to stay in therapy with him as opposed to taking a job in Los Angeles. But that not being able to leave largely applies to his love life. Jerry already has one divorce, his wife who left him. He is having problems with his current girlfriend Amanda, who he believes is the love of his life. He fell in love with her at first sight, when he was already in a cohabitational relationship with Brooke, and Amanda dating Jerry's friend, Bob Stiles. Even after Jerry began sleeping with Amanda, he could not be up front with Brooke about the situation, he leaving her to figure out his lies. What Jerry is unable or unwilling to see is that Amanda not only manipulates him, but that he focuses on the things between them that make them truly compatible, while disregarding those many more things which make them totally incompatible. What has made their relationship more difficult of late is that her mother, who is trying to find herself, has moved in with them in their small apartment. Despite David's unique view of life, he may be able to see Jerry and Amanda's relationship more clearly as an objective bystander. The question becomes how much of David's advice Jerry will take in its entirety.

The mood is gloomy in the "Our gang ', who sings and plays on the farms of the South. They have just lost their clubhouse. The team takes a new member, Alice, that is a real bargain.

The boys operate a ballet school (appearing in drag) and try to help a young inventor sell his idea, to get in the good graces of his girl's father. In their efforts, they get involved with a gang of insurance racketeers. All ends well.

Three bachelor friends - architect Peter, artist Michael, and actor Jack are sharing an apartment in Manhattan. After Jack goes filming in Turkey his two flatmates find his baby daughter - which Jack doesn't know about - left outside their door. The two are left to look after the baby, and realise how difficult this can be. How would this baby change the life style of these confirmed bachelors?

While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.

Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken at losing the two most important females in their lives.

A band of Gypsies are camped outside the walls of Count Arnheim's palace. Oliver's wife kidnaps the Count's daughter Arline, then leaves the child and runs off with her lover, Devilshoof. Not knowing her true identity, Oliver, with the help of "Uncle" Stanley, raises the girl as his own. Years later, Arline, still unaware of her noble birth, is caught trespassing on the Count's grounds and is thrown into the dungeon. Meanwhile, Stanley and Oliver pass the time playing "fingers" and bumblingly ply their trade picking pockets. Finally, just when Oliver needs his help to rescue Arline, Stanley gets drunk while siphoning wine into bottles.

Stan and Ollie are charged with delivering the deed to a valuable gold mine to the daughter of a dead prospector. However they reckon without the machinations of her evil guardian Mickey Finn who is determined to have the gold mine for himself and his saloon singer wife Lola.

It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to visit Stan at the Soldier's Home. Thinking Stan is disabled (it's just that he's sitting on his leg), Oliver takes pity on him and takes him home for a nice home-cooked meal. But Oliver's wife has other ideas and leaves him to fend for himself. After blowing up the kitchen, Oliver is helped by his next-door neighbor, Mrs. Gilbert... until the big-game hunting Mr. Gilbert comes home unexpectedly, carrying a shotgun.

The boys' Army buddy, Eddie Smith, is killed in the trenches in France, leaving his baby girl an orphan. Back home after Armistice, they try to find Eddie's father and turn the child over to him. Unfortunately, they keep coming up with the wrong Smiths, and in the process disrupt a wedding by proclaiming the baby to be the groom's child. To evade the Welfare Association, they try to skip town, raising money for their escape by hocking their lunch wagon. But they accidentally knock the bank president unconscious and wind up being hunted down for bank robbery.

The trademark of The Phantom, a renowned jewel thief, is a glove left at the scene of the crime. Inspector Clouseau, an expert on The Phantom's exploits, feels sure that he knows where The Phantom will strike next and leaves Paris for Switzerland, where the famous Lugashi jewel 'The Pink Panther' is going to be. However, he does not know who The Phantom really is, or for that matter who anyone else really is...

Still Life is a poignant, quixotic tale of life, love and the afterlife. Meticulous and organized to the point of obsession, John May (Eddie Marsan) is a council worker charged with finding the next of kin of those who have died alone. When his department is downsized, John must up his efforts on his final case, taking him on a liberating journey that allows him to start living life at last.

"The Croods" are an eccentric family of cavemen, who survive the harsh terrain by living accordingly to a strict set of rules. But when their home is destroyed in the wake of an impending disaster known as "The End", they are forced to leave their home of shelter and security, and into the wilderness of the unknown to find a new home.

A weather man is reluctantly sent to cover a story about a weather forecasting "rat" (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the 'following' day he discovers that it's Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing EVERY day.