Benedict Wong

A group of seniors of an entrepreneurial high school team up to take down a rigged college admissions system.

A reclusive man conducts a series of interviews with human souls for a chance to be born.

In a world replete with greed, betrayal, sexual intrigue and rivalry, "Marco Polo" is based on the famed explorer's adventures in Kublai Khan's court in 13th century Mongolia.

Before he lost his sight. Before he pledged his service to Kublai Khan. Hundred Eyes saw what made him into the deadly assassin who trains Marco Polo.

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.

Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.