Amy Schumer

Hysterical is an honest and hilarious backstage pass into the lives of some of stand-up comedy's most boundary-breaking women, exploring the hard-fought journey to become the voices of their generation and their gender.

In her new comedy special, Emergency Contact, Amy Schumer once again talks about her life in an uncensored and hilarious way.

After an unexpected incident, Beth starts having flashbacks to her teen self and learns how she became who she is and who she wants to become.

Amy Schumer welcomes her favorite comedians to the stage in this special about family life, from the pressures of parenting to the joys of remarriage.

When her boyfriend dumps her before their exotic vacation, a young woman persuades her ultra-cautious mother to travel with her to paradise, with unexpected results.

Amy Schumer's live stand-up set performed in Chicago where she jokes about marriage, pregnancy and personal growth.

Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy.

A woman struggling with insecurity wakes from a fall believing she is the most beautiful and capable woman on the planet. Her new confidence empowers her to live fearlessly, but what happens when she realizes her appearance never changed?

Three minutes in to her set, Amy Schumer claims that all good comedians have a "leather special," where they wear all leather and regret it later in their careers--this is hers. Amy muses on love, life, dating, and womanhood in her first Netflix comedy special.

With her bold, straightforward style of comedy, Amy Schumer entertains the audience at the Apollo Theater in New York.

A group of stand-up comics, comedic actors and comedic filmmakers are individually interviewed about different aspects of the profession especially as it relates to their personal life. The topics of questions and answers include: the relationship with their parents with regard to their comedy; why they chose what is a natural kid's path of wanting attention as a career; when and/or how they discovered how comedy really works; the rush or high of performing; the need for public adoration; the comics that they admired early in their career and what material they may have stolen from other comics; when they knew their comedy had matured to professional status; the feeling of bombing; the relationship with peers, especially in comparison to relationships with non-comics; and the process of putting in the countless hours. The ultimate question placed to them is do you have to be miserable to be funny?